Beethoven’s “Eroica,” Symphony #3 in E flat Major, Opus 55, 1803 – 1804 (reblog)

Great, thoughtful, informative post about this piece and the historical context in which Beethoven birthed it.

History Of The Music

A portrait of Beethoven Ludwig Van Beethoven

If I recall correctly, the tale goes somewhat like this:

Beethoven was chatting with his comrades in his home when one of the other men informs the maestro that Napoleon Bonaparte has just crowned himself Emperor of France.  Heretofore Napoleon had represented to the revolutionary people of Europe–of which Beethoven was most definitely one–the heroic paradigm, the model of a man for the common people who were striving to rise about levels that had, for so many centuries, been socially and legally impossible for them to breach.  Napoleon had done this–breached those bounds–but in so doing, he had elevated himself–and his wife–above all others, again creating a massive gap between the people and their governance.

Incensed, as the story goes, Beethoven stormed over to his recently completed score of his third Symphony, the Napoleon, snatched the dedication page and tore it to shreds, all the while…

View original post 1,163 more words

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About kurtnemes
Writer and Education Professional. Specialties include Ethics, Personal Memoir, Classical music, Tai Chi, Stress Reduction, Meditation, Coping, Classical Music, Aging, Love, Joy, Compassion and Equanimity (& what interests me.)

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